Comparison of different styles of modern European furniture development
In the development process of furniture design in modern Europe , there was a confrontation between "avant-garde" and "mainstream"
Stand. The main difference between "Avant-garde" and "Mainstream" design is that "Avant-garde" emphasizes the use of design to communicate,
They require that the design must effectively express the designer ’s thinking, not only as a problem solver and innovator, but
And also to express their personal understanding of the relationship between furniture and users / consumers, furniture production and society. before
The furniture designed by the Wei School and the mainstream school looks very different, mainly because the idea of ​​communicating through furniture is more and more
Strongly, the more the design elements take up.
Richard Buchanan once used the semantic nature of this type of communication to
To define. What Buccini said is that a design itself sets a powerful theme, no matter when a user
Considering or using this object, it will inevitably create a dispute between the two. According to this semantic theory, about design
The theme of the plan contains three related elements, which provide the material and form of design communication, which is the technical
Rationality, characteristics and emotions.
The first element-the rationality of technology, shows the foundation of the design theme, it is built on two premises
Above, that is, an understanding of the scientific principles of nature and the structure of the objects used, the tastes and values
Understanding and actual use of physiological conditions. The rationality of technology is not an indirect feature of the relationship with the design object,
It is closely related to potential users. It becomes the basis of furniture design, for example it can implicitly or directly
This translates into the actual requirements of potential users ’tastes and values.
The second element—characteristics—is the most important aspect of any design theme, because it reflects
The way the designer used to express the objects he created. When the characteristics and the rationality of technology complement each other and improve
When the work is infectious, designers can also use it to cover up technical defects.
The third element-emotion, for example, is particularly important for the semantics of chairs, because emotion
The power of the chair can be from the physical contact with the chair and the past, the use of the chair and the expected function of the chair
Face to face. Many feelings are converted from the experience of sports, which is why the emotional theme designed is like
This is powerful and touching; it shortens the psychological distance between objects and users, guiding them to agree with this design expression, and
Make them willing to use it where needed.
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